| »ì | ƒeƒBƒ^ƒkƒX ‚r‚f‚b | 1955 | |
| ‰f‰æÕ | ƒtƒFƒfƒŠƒREƒtƒFƒŠ[ƒj‰f‰æÕi–vŒã‚P‚OŽü”N‹L”Oj Federico Fellini Retrospective | 2003.11. 4-6/11.19-21/12. 4-12. 5 | |
| ”z‹‹ | VŠO‰f | 1958 | |
| ŽžŠÔ | 91•ª | ||
| ŠÄ“ | ƒtƒFƒfƒŠƒREƒtƒFƒŠ[ƒj Federico Fellini | o‰‰ | ƒuƒƒfƒŠƒbƒNEƒNƒ[ƒtƒH[ƒh ƒuƒƒfƒŠƒbƒNEƒNƒƒtƒH[ƒhi‰f‰æÕj Brodeick Crawford |
| ‹r–{ | ƒtƒFƒfƒŠƒREƒtƒFƒŠ[ƒj Federico Fellini | ƒWƒ…ƒŠƒGƒbƒ^Eƒ}ƒV[ƒi Giukietta Masina | |
| ‹r–{ | ƒGƒ“ƒjƒIEƒtƒ‰ƒCƒA[ƒm | ƒŠƒ`ƒƒ[ƒhEƒxƒCƒXƒn[ƒg ƒŠƒ`ƒƒ[ƒhEƒx[ƒXƒn[ƒgi‰f‰æÕj Richard Basehart | |
| ‹r–{ | ƒgƒDƒŠƒAEƒsƒlƒŠ | ƒtƒ‰ƒ“ƒREƒtƒ@ƒuƒŠ[ƒcƒB Franco Fabrizi | |
| ‰¹Šy | ƒj[ƒmEƒ[ƒ^ |
| ì•ii–M‘èj‚Ì擪‚Ö | ƒf[ƒ^ƒx[ƒX‚Ì擪‚Ö |
| •]‰¿ | ™™™™ | ||
| ȓ | 1914. 5. 4 | ||
| ŽžŠÔ | 31•ª(31•ª) | ||
| o‰‰ | ƒ`ƒƒ[ƒ‹ƒYEƒ`ƒƒƒbƒvƒŠƒ“ Charles Chaplin |
| ì•ii–M‘èj‚Ì擪‚Ö | ƒf[ƒ^ƒx[ƒX‚Ì擪‚Ö |
| •]‰¿ | ™™ | ||
| »ì | ¼’| ƒoƒ“ƒ_ƒCƒrƒWƒ…ƒAƒ‹ | 1996 | |
| »ì‹¦—Í | ‰f‘œ‹ž“s | ||
| ”z‹‹ | ¼’| | 1996. 2.10 | |
| ŽžŠÔ | 91•ª | ||
| »ì | ‰œŽR˜a—R | o‰‰ | ‚“‡—çŽq |
| ƒvƒƒfƒ…[ƒT[ | ’Öé˜a | ¬–öƒ‹ƒ~Žq | |
| ƒvƒƒfƒ…[ƒT[ | ŽðˆäŽÀ | “c‘º‰p—¢Žq | |
| Šé‰æ | ²¶“N—Y | Œ´“c–F—Y | |
| Šé‰æ | ¼‰ª‘PM | “c•Ó½ˆê | |
| ŠÄ“ | ‹´–{ˆÈ‘ | “n•Ó—T”V | |
| •ŠÄ“ | Œ´“cáÁŽ¡ | ΋´˜@Ži | |
| ‹r–{ | ‹´–{ˆÈ‘ | ‰–Œ©ŽOÈ | |
| ‹r–{ŠÄC | ŒÜŽÐ‰p—Y | _ŒË_ | |
| ”üp | ¼‰ª‘PM | –ؑìŽi | |
| ”üp | ŠÛˆäˆê—˜ | ŠG‘òäÌŽq | |
| Æ–¾ | ˆäã• | –kŒ´²˜aŽq | |
| ŽB‰e | “¡ÎC | ‘åX—R‰¾—¢ | |
| •ÒW | ‘¾“c‹`‘¥ | ‘哇—uŽq | |
| ‰¹Šy | ˆ¢•”³–ç | ‹{èÊŽq | |
| ‰¹Šyƒvƒƒfƒ…[ƒT[ | ²X–Ø–ƒ”üŽq | “n•Ó“N | |
| ‰Ì | ¹‹Q–‚II | ||
| ˜^‰¹ | ¬¼i | ||
| ƒXƒNƒŠƒvƒ^[ | –q–ìçŒbŽq |
| ì•ii–M‘èj‚Ì擪‚Ö | ƒf[ƒ^ƒx[ƒX‚Ì擪‚Ö |